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Merry Christmas from the team at Print Art

Merry Christmas!

John and the team at Print Art would like to thank you for your support during 2025. We have loved working with you and your art. We find it so inspirational seeing what you create. It is a pleasure to be able to print, digitise, frame and help you take your work to the finished product. We also enjoy seeing many of you take your business to new heights.
We wish you all a very Merry Christmas and summer, and hope that wherever you are and however you are celebrating this time of year, you get to kick back and enjoy it! Arrivedici until Tuesday 13th January 2026.

Get Inspired By Saul Leiter

The American artist Saul Leiter (1923–2013) became enchanted by painting and photography as a teenager in Pittsburgh. Leiter began experimenting with color photography in New York in the late 1940s, using slide film such as Kodachrome. His visionary imagination and tireless devotion to artistic practice pushed him to become one of the iconic photographers of the mid-twentieth century. Though Leiter is recognized primarily for his photography, he called painting his first love. He maintained a lifelong habit of painting daily and produced thousands of colorful works on paper, the majority of them abstract, using water-based paints. Among his primary influences were Japanese woodblock artists and French Impressionists such as Bonnard and Vuillard. “Photography is about finding things,” Leiter said. “Painting is different. It’s about making something.” “A photographer’s gift to the viewer is sometimes beauty in the overlooked ordinary,” Leiter said. An innate sense of curiosity made him a lifelong student of art of all kinds, and he retained his spirit of exploration and spontaneity throughout his long career, in both his fashion images and his personal work. Though Leiter sometimes defended the use of color in fine-art photography, he refused to analyze or explain his own work. “I don’t have a philosophy,” Leiter said. “I have a camera.” 
Settle down with a cuppa, click on the link below and enjoy watching a 10 minute video all about Saul Leiter

The Story Behind The Digital Camera

This tickled our fancy and though you might like to read about it too!
In 1975, a young engineer in the company that made Kodak film took the first picture on a handheld digital camera. 23-year-old Sasson joined Kodak in 1973. He wasn’t a research chemist who would work on new films, nor was he a mechanical engineer ready to design new cameras that would work with Kodak films. Instead, he was an electrical engineer, and something about the whole photographic process didn’t sit well with him. Sasson, now 75, says “When you first came to Kodak, you have to take photography lessons. You had to develop film. You had to go out and take pictures and study film and all that. And to be honest with you, I found it really annoying. I was raised on Star Trek, so I said what if we could just do it all electronically? What if I could store an image electronically, capture an image electronically, and I don’t require any film at all?” At this time rudimentary digital images were already being taken by Nasa satellites but they were not something that a person would be able to use to take their holiday snaps. Sasson believed the technology to make a film-less camera was already there, it just needed to be assembled into the right form. “I had no money to build this thing. Nobody told me to build it, and I certainly couldn’t demand any money for it,” he says. “I basically stole all the parts.” Along with his colleague Jim Schueckler, Sasson spent more than a year putting the increasingly bulky device together. By December 1975, the camera and its playback unit was complete. Sasson’s new camera was not a sleek, desirable object that might turn heads at a photo industry conference or in a camera shop. It looked like an oversized toaster. The camera had a shutter that would take an image at about 1/20th of a second, and – if everything worked as it should – the cassette tape would start to move as the camera transferred the stored information from its CCD. Sasson’s original camera now lives in the George Eastman Museum in Rochester. Its creator was given the National Medal of Technology and Innovation in 2009, the country’s highest award for scientists. The technology he helped bring into reality has now developed far beyond the dreams of any Star Trek-loving electrical engineer – the phones we carry in our pockets are capable of taking images almost impossible to capture on photographic film. Read all the nitty gritty about Sasson and his invention by clicking on the full BBC article below!

Ideas For Daily Art Making

Trying something different for 15 to 30 mins each day is certain to keep your creativity alive over the summer break. The Art of flow has put together some ideas to inspire you! Play with any medium –
Closed eyes painting | Blending one colour to another | Colour triangle or wheel | Exploring complimentary opposites | Black + White | Inky play | Wet on wet | Monochrome (one colour) | Mandala | Draw from observation | Collage | Gel printing | Scratch foam printing | Blind contour | Portraits | Self portrait (with mirror) | Leaf or flower | Colour play | Composition play | Drawing your hand or foot | Meditation impression | Anything you want….
The list is endless.
Watch a one minute clip of a Mini Artist Book created by someone enjoying the above!

Art - While On The Move

Image Credit – Judi Lapsley Miller – At What Cost Forever(Tui)

If you’re passing through Wellington Airport this summer, keep an eye out for the Manu Muramura exhibition by the New Zealand Academy of Fine Arts. The Academy invited work responding to themes of flight, movement, sky and waves, created to complement the new Manu Muramura bird sculpture at Wellington International Airport. Judi Lapsley Miller has two large works included in this show.
Manu Muramura Exhibition | Wellington International Airport concourse | 22 Dec 2025 – 10 March 2026 | 6:00am – 6:00pm

Gold Award Winner

A huge congratulations to the 2025 Stuff Gold Art Aotearoa Award winner, Jessica Gurnsey. Jessica was selected as the Regional Finalist for the Auckland show with her artwork ‘Ticket to Womanhood’, chosen by judges Bob Kerr and Frances Morton, alongside the public vote which placed her in the running for the ultimate 2025 national winner.
‘Ticket to Womanhood’ is a visual ode to the influences that shape us—the women who dance before us, for us, and eventually, with us. It invites viewers to remember the young girl within, to honour the women they’ve become, and to pass on that ticket—to inspire, uplift, and empower the next in line. – Jessica Gurnsey

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